> KUNA-FM-02, Palm Springs, CA

> Xstudio, Sydney, Australia

> Nativa 107 Brazil

> Leighton Broadcast, St Cloud, MN

> KEYT, Santa Barbara, CA

> RTE Pulse Ireland

> RTE Pulse Ireland

> CBS, Philadelphia, PA

> TS-4H Talent Station

> Hubbard Broadcasting, Phoenix, AZ



The IP model of audio transport (AoIP) provides a unique combination of features well suited for today’s emerging remote At-Home production model. Integrated routing, processing, mixing, and control spread across interconnected devices on an IP network can be used to build a venue-side matrix of audio and control that includes mic-feeds, local mixing, low latency IFB, and control-logic from local or remote inputs. The resultant audio streams can then be transmitted to a distant At-Home production facility via AES67 (AoIP) for synchronization with the accompanying video streams.

Come join Wheatstone, where we'll take you through the new era of IP remote production:

SVG Summit, New York Hilton, NYC - Dec 11-12, Tabletop 75

To arrange a meet up, contact Lon Neumann at

Learn More About The SVG Summit

At the SVG Summit in NYC, Wheatstone will be demonstrating tools for advanced IP capture, transport, control, and management of broadcast television audio.

The IP model of audio transport and control (AoIP) provides a unique combination of features well suited for today’s emerging remote At-Home production model. Integrated routing, processing, mixing, and control spread across interconnected devices on an IP network can be used to build a venue-side matrix of audio and control that includes mic-feeds, remote control of local mixing, low latency IFB, and control-logic from local or remote inputs. The resultant audio streams can then be transmitted to a distant At-Home production facility via AES67 (AoIP) for synchronization with the accompanying video streams.

Come join Wheatstone, where we'll take you through the new era of IP remote production.

Wheatstone AirAura X1

BLADE-3s provide hassle-free advanced audio feed and management from mic source to mixing console. In addition to audio I/O in a variety of formats, BLADEs provide signal routing, processing, mixing, and control logic that can be shared across a network. Each BLADE contributes to the resources available, so integral software mixers and processing tools can be applied to any signals on the combined network. Near zero latency at the remote end and GPI triggered crosspoints allow for easy IFB creation. Router salvos (or presets) can store entire venue setups for easy recall. AES67 ensures cross platform compatiblity. Powerful stuff.

Each BLADE with the WheatNet-IP network has all this and much more:

Wheatstone AirAura X1   Wheatstone AirAura X1
Wheatstone AirAura X1   Wheatstone AirAura X1
Wheatstone AirAura X1   Wheatstone AirAura X1

Using BLADES, REMI/At Home/Remote Live Coverage
Becomes a Relatively Simple Task.

Place BLADES wherever you have audio that needs to be captured and sent to the mixer. With the audio tools built into BLADES (shown above) you get full control over your setup from HOME and/or the venue (anywhere, actually), including latency-free IFB at the remote end.

Wheatstone AirAura X1



Please stop by the
SVG Summit, 
NY Hilton
December 11-12, 2017
Tabletop 75

Free Newsletters from Wheatstone!
Sign up for Wheatstone’s newsletter covering Wheatstone products and audio technology for radio or television.
Click here to sign up for our Newsletter


Located in New Bern, North Carolina, USA, Wheatstone Corporation designs and manufactures professional broadcast audio equipment under the WHEATSTONE, AUDIOARTS ENGINEERING, PR&E, and VOXPRO brand names. Products include digital audio consoles and control surfaces, analog audio consoles, networked digital audio systems, digital audio recording and editing, audio-over-IP, signal processing for on-air and studio applications, and software.

Wheatstone Corporation
600 Industrial Drive
New Bern, NC 28562 USA
Telephone: +1 252 638-7000



Photos Of The Week


"Old boards never die, they just fader away..."

Our friend Dave Govett sent us these photos and this note:

"Starting to get real attached to this board. Thought you all would find our restoral pictures interesting. This poor beauty slept rough in a van out in the country for a while but cleaned up nicely.  In addition to detailed cleaning, deoxit, lubrication, fader rebuilds, de-rust screws and washers, soldering replacement pots, we also restored and repaired the arm rest and Burgundy dyed it which looks stunning. Thanks for all the help so far."

Thanks for sending these in, Dave!

Click for more images















AES Loudness Guidelines Explained


You’ve no doubt heard about the new loudness recommendations for Over-the-Top (OTT) and online video released by AES a few weeks ago. The “Loudness Guidelines for OTT and OVD Content” by the AGOTTVS (Audio Guidelines for OTT and Video Streaming) technical group addresses new challenges in content delivery, and could be as significant to broadcasters as the CALM Act.

To make sense of it all we checked in with our own Lon Neumann, who spent part of his career instructing broadcasters on loudness compliance and the CALM Act before joining Wheatstone as a sales engineer in 2016. 

WS: How significant is this new set of guidelines?

LN: This new set of AES guidelines is very significant. Until now, there have been issues related to variations of audio loudness across some of the new modes of content delivery, such as delivery of video content to handheld devices and by services such as Netflix. There really had been no guidelines for audio loudness of content that was delivered by these means.

It’s also worth noting that the 50-member Audio Guidelines for OTT and Video Streaming (AGOTTVS) technical committee* represented a cross-section of the industry with representatives from companies such as Amazon, Apple, BBC, CBS, Dolby, Fox, Fraunhofer, Google, NBC, Netflix, PBS, Starz, Qualcomm, and Wheatstone. Gaining a consensus from a group such as this lends considerable clout to the guidelines.


Download our 2 new E-Books FREE :

E BookCover

E BookCover

Putting together a new studio? Updating an existing studio? 

We've put together these e-books with fresh info and some of the articles that we've authored for our website, white papers, and news that dives into some of the cool stuff you can do with a modern AoIP network like Wheatstone's WheatNet-IP. 

There are two editions:

Advancing AOIP for Broadcast
deals with IP Audio for general broadcast and radio

IP Audio for TV Production and Beyond
deals with IP Audio for television production and broadcast

Both contain valuable info for any broadcast production, and they are FREE to download!


CEO Gary Snow Recognized with Three Industry Innovator Awards

Wheatstone is proud to announce that CEO and founder Gary Snow has been singled out for three New Bay Industry Innovator awards presented by Radio WorldRadio magazine and TV Technology.

NewBay’s Industry Innovator Award winners are selected by a panel of experts and evaluated on their professional achievements, technical and business innovations and continuing influence within their industries.

Click for rest of the story

Gary Snow founded Wheatstone over 40 years ago, creating through hard work and innovation what many consider to be the leading audio design and manufacturing company in the industry. Wheatstone is known by radio and TV broadcasters worldwide for its quality audio consoles and WheatNet-IP audio network.

From the beginning, Gary was focused on – some would say obsessed with – making quality products. His first broadcast audio console was sold to WGBH in Boston in 1984, where it remained in service for 25 years (and is on display at Wheatstone's headquarters in New Bern, NC). In the early days, he would go to the AES or NAB shows with his square wave generator and scope to demonstrate the exceptional audio performance of his consoles. He designed one of the first multitrack recording consoles, which had the distinguishing addition of built-in patch bays.


Twenty years later, he'd revolutionize the industry again with tiny talent panels and other elements in an IP audio networked ecosystem that needed only a single CAT6 cable to route audio and control. In 2016, under Gary’s leadership, Wheatstone developed the first fully configurable console – the LXE. Today, the company continues to invest in the future of radio and television as one of the few broadcast-only equipment manufacturers in the industry.

“Gary loves nothing more than to build audio products. I remember him building one-off band mixers in his attic back in the seventies; I walk out in production now and marvel that we are shipping thousands of products all over the world every month from this one building in North Carolina—all due to his vision and commitment,” commented Wheatstone's Mike Shane who, like most of the core management team members at Wheatstone, has been with Gary since the beginning.

Gary has remained steadfast to his belief that quality and innovation spring from keeping manufacturing in-house, with no jobbing out. Wheatstone was one of the first in the industry to invest in surface mount technology, which then led to some amazing accomplishments in audio routing through IP networking.

“The awards are designed to shine a spotlight on the people behind the companies and technologies on which our industries depend. We offer a heartfelt ‘thank you’ for their contributions, and wish them continued success,” said NewBay Broadcast & Video Group Vice President & Group Publisher Eric Trabb.

These awards couldn’t be more deserving of a man dedicated to the industry we all love and serve. Congratulations, Mr. Snow!

Setting up the PR&E DMX

Scott Johnson - SINGLE HANDEDLY (he had the camera in one hand) demonstrates how dead simple it is to set up your new PR&E DMX system.

True Confessions of a Morning Host


We’re always interested in what goes on inside the mind of a morning radio host.

We talk often to VoxPro power users like Jay Turner, the PD and morning show host for Sunny Country, KSNI-FM, in Santa Maria, Calif. Sometimes, we talk about what’s happening in the news. Other times, Jay gives us valuable input on our digital recorder/editor. In fact, we added at least one feature to the VoxPro version 7 at Turner’s request. You can thank Jay for being able to easily edit channels independently should, say, a caller or jock talk over the other. (Click to view the video)

But most of the time we talk about the industry, and about things like TSL and ratings.

For the record, Jay doesn’t see the quarter-hour spot block going away anytime soon, but he doesn’t necessarily stand on convention when it comes to the right-now mentality of today’s listener. “If someone calls in with traffic update, we don’t wait until after the spot block. We come in with that right after the song because they can get that on their phone. We’re competing with the phone in many ways, so we have to be there with those kinds of updates,” he said.

The last time we talked to Jay, he was working on a True Confessions program segment and experimenting with VoxPro to get that gravelly voice that jocks seem to like.

Talking with Jay makes for some good conversation…and products.

Your IP Question Answered

Toolbox imageQ: How does your system handle IFB?

A: With the utility mixers built into our I/O BLADE access units! There are two 8x2 stereo mixers inside our BLADEs at every connection point in the network, and they’re used for a number of things, including setting mix-minuses for IFB. It makes for a completely decentralized IFB system requiring no additional hardware. You can also interface to an existing intercom system, no problem.

Each IP connection point – or BLADE – stores not only its configuration but also the entire configuration of the network onboard, which means that failover is immediate. We sleep better at night knowing that our BLADEs are on the job.

Stay up to date on the world of broadcast radio / television.
Click here to subscribe to our monthly newsletter.



Audio mixing consoles are now part of a much larger universe, the fabric of which is networking. How a console is networked is more critical than ever before, as are the applications that drive its usefulness.



Today, broadcast operations have extended beyond and expanded within their walls, thanks largely to IP and networking. But meanwhile, back at the factory, we’re keeping it all under one roof. Why? READ MORE


By Scott Johnson

When you think of Wheatstone processing, you naturally think of broadcasting. But if an audio engineer tucked an Aura8-IP under his arm and left the station, would he find other uses for it? The answer, I found out recently, is a resounding yes! READ MORE


To make sure our system can outperform every other AOIP network on the face of the earth, and do it easily and robustly, we routinely get our engineers together to put them through stuff no real installation would ever attempt. How does WheatNet-IP perform? READ THE STORY


Having all these terms in one place, and in alphabetical order, definitely comes in handy. But just as helpful to us are the comments at the end of the article by those who, for various reasons, added onto or had their own definitions.



By Dee McVicker

If you’ve ever driven the 372 miles from Los Angeles to Phoenix, you know that there’s nothing between Blythe and Quartzsite except a few jackrabbits and your radio. Sometimes, there are no jackrabbits.



Applying touchscreen GUI technology to today’s audio console has some interesting rewards in workflow, as we demonstrated with our IP-64 and the Dimension Three TV audio consoles in previous years, and now with our new LXE IP audio console this NAB show. READ MORE


It’s drive time all the time for 107.7 Sanef located near Senils, France. That is, the station broadcasts to traveling motorists through a network of 200 watt transmitters synchronized on the same frequency and located along 1,800 kilometers of motorway. READ MORE

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